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Events
Dance Mandal Institute:
Sacred Buddhist Dance of Nepal Performance
Prajwal Vajracharya with LiAnne Takeuchi Hunt
View Photos from this event!
Sunday, August 11, 2002, 7:00 p.m.
Boise State University
Special Events Center
Prajwal Ratna Vajracharya
Charya Nritya, a Sanskrit term, meaning "dance as a spiritual discipline," is a Tantric Buddhist dance form. This ancient classical art is one of the religious disciplines of the Newar Buddhist priests (Vajracharya) of the Kathmandu Valley. The Vajracharyas of Nepal have performed the dance secretly as part of their meditation, rituals and celebrations for over a thousand years. Each dance within Charya Nritya features different Tantric deities of Vajrayana Buddhism such as Tara, Avalokiteshvara, and Manjushri which are embodied by the dancer. Thus, Charya Nritya is a meditation discipline, a vehicle of bodily and spiritual transformation, and a sacred opportunity for an audience to experience a vision of divine beauty.
Sixteen Offering Dances
The Sixteen Offering Dances, otherwise known as Sodasa Lasya, are sixteen dance postures representing various musical instruments and other offerings. The are personified as the sixteen goddesses of sensual enjoyment.
Lokesvara
Avalokisteshvara, also known as Chenrezig, Quan Yin, and Kanzeon, is widely beloved throughout the Buddhist world. He embodies universal compassion in its most accessible and recognizable forms: softness, kindness and gentleness, as well as the beauty of true compassion.
Arya Tara
The role of Tara is to protect suffering beings while they are crossing the Ocean of Existence. Arya Tara, or Green Tara, holds a blue lotus in her left hand, and blesses with her right.
Rakta Ganesh
Rakta Ganesh, the Red Ganesh is the elephant-headed protective deity to aid in the removing of obstacles. It is wonderful to see Ganesh dancing, so light of foot, because it shows that dance is not only for the slim of body and fleet of foot, but that people of all body types are invited into the dance of worship and celebration.
Nairatma
Nairatma, the egoless yogini and a fully enlightened female Buddha, is the source of all creation, the formless infinite reality form which all visible forms arise. Nairatma is another name for sunyata, or emptiness and selflessness. Her blue body signifies the emptiness of the sky.
Singhamukhi
Singhamukhi is the lion-faced female Buddha. She demonstrates that enlightenment is not a passionless state, but rather a state of wholeness in which one has access to all the energies and capacities of one's being.
Vajrayogini
Vajrayogini is the main female Buddha. She is represented as bright red, dancing joyfully, without shame or fear and glorifying in her femaleness. She personifies the feminine energy pulsating at the heart of reality.
Vajrapani
Vajrapani, a wrathful Buddha, is portrayed with bloodshot eyes, and angry glare, dark blue skin, a tiger-skin garment with snakes wrapping around his body, and jewelry made of bones and skulls. Wrathful deities dance upon the negative forces they have overcome and laugh with glee as they feast on the raw painful negativity that unenlightened beings regard as frightening demons.
Workshop
Tuesday, August 13, 2002, 5:30-8:30 p.m.
Komyozan Dojo
1922 N 21st Street, Boise
Preregistration is required call: 922-1201
The sacred dance of the Tantric priests of Nepal is a dynamic yogic discipline whose goals are yogic mastery of the body, refinement of the emotions, and deepened spiritual awareness. This workshop introduces the theory and style of movement, with the emphasis on dance as a meditation practice and vehicle of physical and spiritual healing. Participants will be guided through basic movements and dance sequences that allow them to experience the subtle transformative power of this graceful dance form. Topics include sacred gestures and their meaning, visualizing energy, yoga, patterns and deities, and understanding the body as a mandala and vehicle for transformation of awareness. Learning this unique dance is a rare opportunity for anyone interested in healing arts, sacred movement, Buddhism, or Asian disciplines.
Prajwal Ratna Vajracharya
Prajwal Ratna Vajracharya belongs to one of the Tantric lineages of Nepal and has been trained in this dance form since the age of eight. He is now the premier solo performer, teacher and proponent of the tradition. In 1997, he won first prize in an all-Nepal dance competition held in honor of the 25th anniversary of the King's coronation, no small feat in a country rich with dance traditions! Prajwal is a veteran of several successful world tours and has danced solo and lectured for audiences as large as 2,000. Prajwal has founded Dance Mandal: Foundation of Classical Performing Arts, which is dedicated to the preservation and promotion of Charya Nirtya and the related traditions of instrumental and vocal music. Prajwal has revived this dwindling art form in Nepal and now has beginning and advanced students across the globe, bringing his unique Buddhist heritage from the temples of Nepal onto the world stage.
LiAnne Takeuchi Hunt recently moved to Boise from Hawaii where she was born and raised. She has danced perfessionally since 1989 as a principle dancer in Honolulu-based companies. In 1993 she formed her own company Reiko Performance Art Theater with performances and workshops in England and Hawaii. In addition to Charya Nritya, Ms. Hunt has studied and performed many classical dance types including Balinese, Javanese, Korean, Filipino and Indian Kuchipuri, as well as Butoh, Hula, Tai Chi and Chi Kung.
LiAnne Takeuchi Hunt
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